Martin Brundle
Sky Sports F1 Lead Analyst & OBE | Former F1 Driver | 1988 World Sportscar Champion | 6x RTS & 4x BAFTA Award Winner
Palme d'Or–Winning Film Director | Shoplifters, Monster, Broker & The Truth | Founder, Bunbuku | One of World Cinema's Great Humanist Storytellers
Hirokazu Kore-eda is one of the most acclaimed filmmakers of his generation, a master of intimate, humanist cinema whose Shoplifters won the Palme d'Or at Cannes. Across films like Monster, Broker, and Like Father, Like Son, he explores family, memory, and what makes life meaningful. Founder of the Bunbuku studio, he keeps pushing boundaries, from Cannes to science fiction. On stage, he shares a singular view of storytelling and the creative life.
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Hirokazu Kore-eda is one of the most acclaimed filmmakers working today, an internationally celebrated Japanese writer-director whose tender, observational dramas have made him a defining voice in modern world cinema. Born in Tokyo in 1962 and a graduate of Waseda University, he began his career making television documentaries before turning to fiction, and that documentary sensibility, patient, humane, and attentive to ordinary life, still runs through everything he makes.
Entertainment speaker Hirokazu Kore-eda is best known for Shoplifters, which won the Palme d’Or at the 2018 Cannes Film Festival and earned an Academy Award nomination for Best Foreign Language Film. Over three decades he has been a near-constant presence at the world’s great festivals, with films including Like Father, Like Son (Jury Prize at Cannes), Our Little Sister, The Third Murder, Broker, his first Korean-language film, and Monster, which won Best Screenplay at Cannes. His work has often been compared to that of the legendary Yasujirō Ozu for its grace and emotional depth.
Kore-eda’s films return again and again to family, in all its chosen and complicated forms, to memory, loss, and the question of what makes a life meaningful. In 2014 he founded his own production studio, Bunbuku, through which he both directs his own work and mentors a new generation of filmmakers. His reach has grown steadily more international: he directed Catherine Deneuve and Juliette Binoche in the French-language The Truth, created the Netflix series Asura, premiered his science-fiction feature Sheep in the Box in competition at Cannes, and directed a live-action adaptation of the acclaimed manga Look Back.
As a speaker, Hirokazu Kore-eda offers a rare and reflective window into the craft of storytelling and the creative life. He speaks on finding the universal in the intimate, the discipline of observation, directing across cultures and languages, and how cinema can help us understand one another. Audiences gain not only the perspective of a master artist at the height of his powers, but a thoughtful meditation on empathy, patience, and the stories that connect us.
Kore-eda has built his career on finding the extraordinary inside ordinary life. In this talk he reflects on how he shapes stories around family, memory, and small everyday moments, and why the most intimate, specific details are often the ones that resonate most universally. It is a rare look at the philosophy and craft behind some of contemporary cinema's most moving films.
Before his award-winning fiction, Kore-eda made television documentaries, and that grounding still shapes how he works with actors, non-professionals, and real locations. He explores the porous border between fact and fiction, the value of observation and patience, and how a documentary mindset can bring authenticity to any kind of storytelling.
Having directed films in Japanese, French, and Korean, with international icons and local newcomers alike, Kore-eda has become a model of truly cross-cultural filmmaking. He discusses what travels across languages and what does not, how he builds trust with collaborators from different traditions, and why human stories remain our most powerful common ground.
Through his Bunbuku studio, Kore-eda directs his own films while nurturing emerging filmmakers. He reflects on building a sustainable creative life and industry, the long apprenticeship behind mastery, and the responsibility established artists have to mentor those who follow, offering lessons relevant well beyond the world of film.
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